You can invoke aspects for a bonus to a roll and compel them to create a complication. But even when those aren’t in play, aspects still affect the narrative. When you have that monstrosity Pinned Under a Boulder, that is true. It can’t do much stuck in there, and it’s not getting out easy.

In essence, “aspects are always true” means that aspects can grant or withdraw permission for what can happen in the story. If the aforementioned monstrosity is Pinned, the GM (and everyone else) has to respect that. The creature has lost permission to move until something happens which removes that aspect, either a successful overcome (which itself might require a justifying aspect like Unnatural Strength) or someone foolishly removing the boulder. Similarly, if you have Magically Enhanced Legs, you’ve arguably gained permission to leap over walls in a single bound without even having to roll for it.

That’s not to say you can create any aspect you want and use its truth like a club. Aspects grant a lot of power to shape the story, yes, but with that power comes the responsibility to play within the story’s constraints. Aspects have to line up with the table’s sense of what actually passes muster. If an aspect doesn’t pass the sniff test, it needs to be reworded.

Sure, you might like to use create an advantage to inflict the aspect Dismembered on that giant Darknut, but that clearly steps on the toes of the attack action, and besides, it takes a bit more work to lop an arm off than that. You might say you’re the World’s Best Shot, but you’ll need to back that up with your skills. And as much as you’d like to make yourself Magicproof, removing permission for someone to use spells to harm you, that is unlikely to fly unless the game you’re playing involves using aspects-as-superpowers.

There’s an endless variety of aspects, but no matter what they’re called, they all work pretty much the same way. The main difference is how long they stick around before going away.

These aspects are on your character sheet, such as your high concept and trouble. They describe personality traits, important details about your past, relationships you have with others, important items or titles you possess, problems you’re dealing with or goals you’re working toward, or reputations and obligations you carry. These aspects primarily change during milestones.

Examples: Leader of My Band of Survivors; Attention to Detail; I Must Protect My Brother

These aspects describe the surroundings or scenario where the action is taking place. A situation aspect usually vanishes at the end of the scene it was part of, or when someone takes some action that would change or get rid of it. Essentially, they last only as long as the situation they represent lasts.

Examples: On Fire; Bright Sunlight; Crowd of Angry People; Knocked to the Ground; Pursued by the Police

These aspects represent injuries or other lasting trauma taken by absorbing a hit, often from attacks. While they each have their own specific effects (see ), they can also be invoked and compelled just like any other aspect.

Examples: Bruised; Exhausted; Broken

A boost is a special kind of aspect, representing an extremely temporary or minor situation. You cannot compel a boost or spend a fate point to invoke it. You may invoke it once for free, after which it vanishes. An unused boost vanishes when the advantage it represents no longer exists, which may be a few seconds or the duration of a single action. They never persist beyond the end of a scene, and you can hold off naming one until you’re using it. If you’re in control of a boost, you may pass it to an ally if there’s rationale for it.

Examples: In My Sights; Distracted; Unstable Footing

One way you can earn fate points is by letting your character’s aspects be compelled against you to complicate the situation or make your life harder. You may also get a fate point payout if someone uses your aspect against you in a hostile invoke or when you concede.

Remember, each session, you also start with fate points at least equal to your refresh. If you were compelled more than you invoked in the prior session, you’ll show up at the next one with more.

To unlock the true power of aspects and make them help you, you’ll need to spend fate points to invoke them during dice rolls. Keep track of your fate points with pennies or glass beads or poker chips or some other tokens.

You can also invoke aspects for free, if you have a free invoke from you or an ally creating an advantage you can use.

If you want an easy way to ensure you have room to incorporate aspects into a roll, try narrating your action with an ellipsis at the end (“…”), and then finish the action with the aspect you want to invoke. Like this:

Ryan says, “So I’m trying to decipher the runes and…” (rolls the dice, hates the result) “…and If I Haven’t Been There, I’ve Read About It…” (spends a fate point) “…so I easily start rambling about their origin.”

Most of the time an aspect is invoked, it’s a character aspect or a situation aspect. Sometimes you’ll invoke enemies’ character aspects against them. This is called a hostile invocation, and it works just like invoking any other aspect—pay a fate point and flip one die to ➕ or reroll the dice. There’s one small difference—when you make a hostile invocation, you give the fate point to the enemy. But they don’t get to use the fate point until after the scene is over. This payout only applies when a fate point is actually spent on a hostile invocation. Free invokes do not trigger a payout.

You may spend a fate point to add an important or unlikely detail to the story based on an aspect in play. In cases where “aspects are always true” suffices, you do not need to spend the fate point; paying is for when it’s a stretch.

Aspects can be compelled to complicate the situation and earn fate points. To compel an aspect, the GM or a player offers a fate point to the player whose character is being compelled, and tells them why an aspect is making things more difficult or complicated.

Any aspect can be compelled—whether it’s a character aspect, situation aspect, or consequence—but it must be something that affects the character being compelled.

Anyone can offer a compel. The player proposing the compel must spend one of their own fate points. The GM then takes over running the compel for the affected target. The GM does not lose a fate point by offering a compel—they have a limited pool of fate points for invoking aspects, but can compel as much as they’d like.

Compels can be retroactive. If a player finds they have roleplayed themself into a complication related to one of their aspects or a situation aspect that concerns them, they can ask the GM if that counts as a self-compel. If the group agrees, the GM slides the player a fate point.

Sometimes, you’ll be offered a compel that you just don’t want to take, whether because you don’t think it’s quite in line with your character’s aspects, or because you think your character is going to rise above the aspect at this moment in time. You don’t have to just accept a compel; you can also negotiate or outright refuse it.

Generally when negotiating a compel, you’ll explain how this compel doesn’t fit with your conception of the character (or how it doesn’t match your picture of a situation aspect or a condition); could the compel perhaps be X instead? In other words, you can discuss an appropriate complication with your GM and the rest of the table. In fact, if the group agrees that a proposed compel wasn’t appropriate, it can even be withdrawn at no cost to the compelled character.

Refusing a compel is different than negotiating. When you refuse a compel, you acknowledge that the proposed complication does fit the aspect; you just think your character wouldn’t submit to the aspect in this moment. If it’s a character aspect, perhaps they’re rising above their inner nature; if it’s a situation aspect or a condition, maybe they’re gritting their teeth and pushing through the obstacles.

Refusing a compel costs a fate point, and prevents you from gaining the fate point offered by the compel, so it can almost be thought of as costing two fate points! However, this is not without a benefit; whenever you refuse a compel, you can rewrite the aspect that was compelled (unless it was a condition) to show how you’ve moved past it, or create an entirely new situation aspect representing how you’re overcoming the aspect right now. Either way, you get a free invoke of the new aspect. (If you rewrote an aspect, any free invokes anyone had on the previous aspect move to the new one, though their usefulness may have changed).

When offering a compel, make sure that the complication is a course of action or major change in circumstance, not a denial of options.

“Oh, you’ve got sand in your eyes, so you shoot at the creature and miss,” is not a compel. It denies action rather than complicating anything.

“You know, curse your luck, I think that the sand in your eyes means you can’t really see anything. Your shots at the Talus go wild, puncturing a few barrels that are now gushing oil toward the fire pit.” This is a much better compel. It changes the scene, ratchets up the tension, and gives the players something new to think about.

There are two general kinds of compels: events and decisions.

An event compel is something that happens to a character because of an external force. That external force connects with the aspect in some way, resulting in an unfortunate complication.

A decision compel is internal, where the character’s flaws or competing values get in the way of better judgment. The aspect guides the character to make a particular choice—and the fallout of that choice creates a complication for them.

In either case, a resulting complication is key! Without a complication, there is no compel.

Don’t confuse hostile invocations and compels! Though they are similar—they are ways to give a character an immediate problem in exchange for a fate point—they work differently.

A compel creates a narrative change. The decision to compel a character’s aspect isn’t something that happens in-universe; rather, it’s the GM or player proposing a change to the story. The effect can be broad, but the target gets the fate point immediately if they accept the compel, and may choose to refuse the compel.

A hostile invocation is a mechanical effect. The target doesn’t get a chance to refuse the invocation—but as with any invocation, you will need to explain how that aspect makes sense to invoke. And while they do get a fate point, they don’t get to use it in the current scene. However, the ultimate result is much more constrained: flipping one die or one reroll of the dice.

Compels let you, as a player or GM, change what a scene is about. They throw a wrench in the narrative. Using them against an opponent is a risky proposition—they might refuse, or accomplish their objective despite the complication thanks to the shiny new fate point you handed them.

Hostile invocations help you in the current moment. In addition to your own aspects, you have your opponent’s aspects available to invoke, giving you more options and making scenes more dynamic and connected.

You can create or discover a situation aspect using the create an advantage action. You may also create boosts that way, or as a result of a tie or success with style when you overcome an obstacle, attack, or defend.

You can remove an aspect provided you can think of a way your character could do so—blast the Raging Fire with a fire extinguisher, use evasive maneuvers to escape the pursuing guard that’s On Your Tail. Depending on the situation, that might require an overcome action; in this case, an opponent could use a defend action to try to preserve the aspect, if they can describe how they do so.

However, if there’s no narrative block to removing an aspect, you can simply do so. If you’re All Tied Up and then a friend unties you, the aspect goes away. If there’s nothing stopping you, there’s no need to roll.

We’ve covered the standard aspect types on page XX. These additional types are optional, but may add value to your game. To some extent these are variants on character aspects (if you expand your notion of what counts as a character) and situation aspects (if you change your notion of how long those last).

Organization aspects: Sometimes you might be dealing with a whole organization that operates under a certain set of principles. Consider giving the organization aspects which any member of it can access as if it were their own.

Scenario aspects: Sometimes a particular plot might introduce a new “trope” that shows up time and again in the storyline. Consider defining this as an aspect which is available to all characters in the story until that part of the story concludes.

Setting aspects: Like a scenario aspect, the setting of your campaign itself may have recurring themes. Unlike a scenario aspect, these aspects don’t go away.

Zone aspects: You can attach situation aspects to a particular place on the map represented by a zone. This can add extra dynamism to your group’s interactions with the map. A GM can encourage this by making an “up for grabs” free invoke available on a zone aspect at the start of the scene, drawing characters (player and non-player alike) to leverage that aspect as part of their early strategy.